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| Things I Haven’t Felt Emily Lloyd From The Paumanok Review (Winter 2005: Issue #21)
Different, after losing my virginity. Better, after the medicine I took. Mosquitoes on my skin, before they’ve bitten me. Profoundly changed, after I read that book.
The call of the wild. The glow of pregnancy. Guilty, after sleeping with someone’s wife. High as a kite, high even as a tree. The peace that passeth understanding. Safe.
God’s presence in the world, and that of the boy who thought I was his mother at the mall. How long had he walked beside me without my noticing? How long had I inadvertently hidden my face? | |
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| Pink | Barbara Jane Reyes
Wet work as a euphemism for movies of a young short skirt, showing all her pink, with still-wet newspapers and staring people. Fluttering amateur, brunette teen, spreading her tight pink, her sweet, sweet wet pink. Picture her describing how he wet his trousers, how he transitioned into a man who “longed for the pink” of a sniper’s rifle, the very warning of what may be found lascivious by ascetics. A wet pink rose, unaware of the war that raged inside of her, demanded red carpet thick and pink, quite wet from her being fucked so hard until she couldn’t take it anymore. She had yet to learn that war policy is neither made, nor altered while hospital naked and shaven. Dreampink and pearl fortune spilling, his throbbing gun. The day after the blast, she sat in a dirty shirt watching the adults’ wet clothes strung above. A spigot was the only water source for the tiny pink flowers growing, the basement of girls in wet shirts, hot and blonde, young sucking teen sluts of gangbang galleries. Their frenzied little faces saying stop the war upon teen pussy, pink and shiny, parted petals and swollen flesh. Picture her, slippery, cleaning the floor bent over naked, the color of bunny ears, the color of don’t complain about wet feet, about war games, about problems of fires spluttering out before we bang her wet body in the rain, in the quiet dream, in the pink pieces of the sunset. | |
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| Dude-- sometimes your secret is not interesting. You are not deeper than other people, and your pain is not more sublime. The conscious act of performing confession/confiding is a kind of subjectivity that is, I think, indicative a widespread trend towards narcissism in our culture. Yes, I say this as a blogger. Fuck you. | |
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| Forwarding this from an email. Bratabase.com Compares bras based on measurements and tells you which other are similar. Here's an example > http://www.bratabase.com/browse/calvin-klein/perfectly-fit-seduction-d3088/36C/> In this case the 36C is actually pretty similar to a 34C in a different model > > It also tells you whether a bra would fit you or why it wouldn't based on owner's profiles. It will tell you which breast shapes are best suited for a particular bra according to the owners of bras in that size. > http://www.bratabase.com/browse/vanity-fair/body-sleeks-full-coverage-contour-stretch-75-266/34DD/> > It has a bunch of other smaller features, but those are what I expect would help people the most. > > If you browse around you-ll notice that there aren't many bras on the site yet, since it is heavily crowd sourced and the only bras at the moment are from friends or members i've contacted personally asking for help. > > Feel free to give it a look and let me know what do you think of it or if you have any questions :) > > bye! > > Jj | |
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| Since I became the Other Woman, my dreams have been as slippery as conscience, scenes that shift in watercolour, form, unform and run together. I’m a charcoal mark, ingrained, the one fixed point in a landscape that pours like rain through a gutter. I expect a storm and one appears: a black cumulus in the shape of a wife. I brace myself for a fist like a thunderclap, but as she grows towards me, I can see that she is crying and the tears are washing her face away, taking the dream with it. I wake to a voice softer than water: How could you do this to me? How could you do it...? | |
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| What lips my lips have kissed, and where, and why, I have forgotten, and what arms have lain Under my head till morning; but the rain Is full of ghosts tonight, that tap and sigh Upon the glass and listen for reply, And in my heart there stirs a quiet pain For unremembered lads that not again Will turn to me at midnight with a cry. Thus in winter stands the lonely tree, Nor knows what birds have vanished one by one, Yet knows its boughs more silent than before: I cannot say what loves have come and gone, I only know that summer sang in me A little while, that in me sings no more.
(Sonnet XLIII)) -Edna St. Vincent Millay | |
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| you were vast unto others by jen bervin
date the paper -- it's your early work -- date the space -- it's late -- write -- be late with you --
write to get lost in the day -- get the time from friends -- make them a memorable meal and forget what you made -- write -- we are tasting new peaches -- all the time -- write you waste nothing -- write nothing is wasted on you --
write this time of the animals -- the space of the animals -- write the dog who stands on your foot and leans in -- write how you lean in -- when you love -- write the gentleness there --
write what you said to me -- how far you went away from yourself -- when you stopped -- noticing -- write you lost your way for a reason -- write how -- you come back -- how your body was not made to do this -- with you in it -- write stay in it -- a little longer -- write what died for this space -- and only what will live in it --
tell me where you've been necessary -- the memory in the snow-- the river in light -- write you flow -- humanly --
write the precise points that touch the rivers of energy in the body -- enter them -- and tell me -- if they are still wet -- tell me -- where they've been -- tell me -- who touched you all winter -- tell me who -- you'll remember -- in spring --
write where you were chosen -- when you were chosen -- write -- what calmness was chosen in you -- write it on your hand -- write -- you are not too old to write on your hand -- write -- there's still space there -- and you have been in it --
how you unsettle me -- how you go infinite -- how you come back --
write how our nature's getting a lot done -- how the air gets fresh all over us -- write what tender leaves are back -- how they tassle and sway -- write you are spring -- write -- you-- are impossible --
write how you slouch over flowers and mend things -- write -- you can't remember what you planted -- but that you're certain some of them are volunteers -- write today -- even the garbage smells good -- write it's spring -- new york -- and you're not done with me yet --
write -- how you spill everything today -- feel listless and berate yourself -- write -- leave yourself alone -- write you are the laziest girl in town -- be that girl -- once in a while -- write it was once plants and horses here -- write what you awoke to -- the feeling inside the thing you made -- how you were happy there -- write -- be there
write the day -- you were here -- write the day you were most yourself -- write-- I can thank you for that -- write you went the beautiful way -- you made time -- you knew how to get things done and it touched everyone here at least once --
write how your friend's yard -- contains a tulip tree -- that looks like a voluptuous girl falling out of a pink dress -- write she said that -- and it pleased you -- write how easy it is -- to do that -- write how you love your friends -- and what they think -- to say -- write that's you in the corner pale green and fragrant -- write your friend said that -- about a girl named melanie -- write how he included you -- how you are -- in the world --
write the dog -- pausing to shake -- the girl leaning in to smell that page --the library -- the river in light -- what you're choosing --the view from the window -- every window -- you are choosing-- now
write the body of the house shines around the house -- and you my friend -- were beyond -- you were ballast -- you were vast unto others -- | |
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| Delayed Reactions || Sherman Pearl After the hammer slams down on your thumb or the hurtful word penetrates, a stunned moment follows.
You're like a solider who feels no pain until he sees the wound.
Happiness, too, is sometimes slow to register.
It was years after the rain had sent me and the girl huddled close to me dashing for cover that I suddenly felt the drops. | |
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| daughter | nicole blackman one day i'll give birth to a tiny baby girl and when she's born she'll scream and i'll make sure she never stops.
i will kiss her before i lay her down and will tell her a story so she knows how it is and how it must be for her to survive.
i'll tell her about the power of water, the seduction of paper the promise of gasoline, and the hope of blood.
i'll teach her to shave her eyebrows and mark her skin. i'll teach her that her body is her greatest work of art.
i'll tell her to light things on fire and keep them burning. i'll teach her that the fire will not consume her,that she must take it and use it.
i'll tell her to be tri-sexual, to try anything, to sleep with, fight with, pray with anyone, just as long as she feels something. i'll help her to do her best work when it rains. i'll tell her to reinvent herself every 28 days.
i'll teach her to develop all her selves the courageous ones, the smart ones, the dreaming ones, the fast ones i'll teach her that she has an army inside her that can save her life.
i'll tell her to say “fuck" like people say "THE" and when people are shocked to ask them why they so fear a small quartet of letters.
i'll make sure she carries a pen so she can take down the evidence. if she has no paper, i'll teach her to write everything down on her tongue, to write it on her thighs.
i'll help her see that she will not find God or salvation in a dark brick building built by dead men.
i'll explain to her it's better to regret the things she has done than the things she hasn't. i'll teach her to write her manifestos on cocktail napkins.
i'll say she should make men lick her enterprise. i'll teach her to talk hard. i'll tell her that her skin is the most beautiful dress she will ever wear.
i'll tell her that people must earn the right to use her nickname, that forced intimacy is an ugly thing.
i'll make her understand that she is worth more with her clothes on.
i'll tell her that when the words finally flow too fast and she has no use for a pen that she must quit her job, run out of the house in her bathrobe, leaving the door open. i'll teach her to follow the words. i'll tell her to stand up and head for the door after she makes love. when he asks her to stay she'll say she's got to go.
i'll tell her that when she first bleeds when she is a woman, to go up to the roof at midnight, reach her hands up to the sky and scream.
i'll teach her to be whole, to be holy, to be so much that she doesn't even need me anymore.
i'll tell her to go quickly and never come back. i will make her stronger than me.
i'll say to her never forget what they did to you and never let them know you remember. i'll say to her never forget what they did to you and never let them know you remember. i'll say to her never forget what they did to you and never let them know you remember | |
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| Family Stories by Dorianne Laux
I had a boyfriend who told me stories about his family, how an argument once ended when his father seized a lit birthday cake in both hands and hurled it out a second-story window. That, I thought, was what a normal family was like: anger sent out across the sill, landing like a gift to decorate the sidewalk below. In mine it was fists and direct hits to the solar plexus, and nobody ever forgave anyone. But I believed the people in his stories really loved one another, even when they yelled and shoved their feet through cabinet doors or held a chair like a bottle of cheap champagne, christening the wall, rungs exploding from their holes. I said it sounded harmless, the pomp and fury of the passionate. He said it was a curse being born Italian and Catholic and when he looked from that window what he saw was the moment rudely crushed. But all I could see was a gorgeous three-layer cake gliding like a battered ship down the sidewalk, the smoking candles broken, sunk deep in the icing, a few still burning. | |
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